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Appendix A: SYNTH TRACK PARAMETERS A-3
FILTERS
FRQ (Filter1 Frequency) controls the cutoff frequency of Filter 1,
the 4-pole lowpass transistor ladder filter.
RES (Filter1 Resonance) controls the resonance of Filter 1.
Increased resonance introduces a peak in the spectrum at the
cutoff frequency. By design, Filter 1 has a stronger resonance in
the higher frequencies, which gives a characteristic electronic fil-
ter sound when the resonance starts sharp and then falls during
a falling filter envelope.
OVR (Filter1 Overdrive) introduces distortion in the signal path.
In mid position (0) the signal is kept clean. Increasing positive
values gives a clipping distortion after Filter 1. Increasing nega-
tive values also distorts the signal, but with a softer overdrive
inside the filter.
TRK (Filter1 Keytrack) lets the cutoff frequency follow the pitch of
the sound played. A setting of 32 will make the filter track the
oscillator frequency in note intervals, making it possible to play
the Filter 1 resonance the same way as an oscillator is played.
DEP (Filter1 EnvF Depth) controls the amount of cutoff fre-
quency modulation from the filter envelope EnvF. The knob is
bipolar, meaning that both negative and positive modulation
depth is available. Note that ENV always affects Filter1, regard-
less of which modulation destinations are chosen.
FRQ (Filter2 Frequency) controls the cutoff frequency of Filter 2,
which is the 2-pole multimode filter located after Filter 1 and
Overdrive.
RES (Filter2 Resonance) controls the resonance of Filter 2.
Increased resonance introduces a peak in the spectrum at the
cutoff frequency. (Except for the Bandstop filter type, which has a
notch instead of a peak. This notch is widest at the lowest Reso-
nance setting.) Compared to Filter 1, Filter 2 has a more uniform
resonance behavior over the whole audio spectrum.
TYP (Filter2 Type) selects the filter type of Filter 2. Seven types
are available: 2-pole Lowpass, 1-pole Lowpass, Bandpass, 1-
pole Highpass, 2-pole Highpass, Bandstop, and Peak. Techni-
cally all of them are 2-pole filters with resonance, but the "1-pole"
types have a flatter spectrum like simple 1-pole filters and can be
very useful also for equalizer duties.
TRK (Filter2 Keytrack) lets the cutoff frequency follow the pitch of
the sound played. A setting of 32 will make the filter track the
oscillator frequency in note intervals.
DEP (Filter2 EnvF Depth) controls the amount of cutoff fre-
quency modulation from the filter envelope EnvF. The knob is
bipolar, meaning that both negative and positive modulation
depth is available. Note that ENV always affects Filter2, regard-
less of which modulation destinations are chosen.
FILTERS
In the FILTERS page, settings that will affect the two track filters are found.
- FCC compliance statement 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- APPENDIX D: MIDI 8
- INTRODUCTION 9
- PANEL LAYOUT AND CONNECTORS 11
- REAR CONNECTORS 12
- ANALOG FOUR ACCESSORIES 13
- CONNECTING THE UNIT 13
- ANALOG FOUR SIGNAL PATH 14
- +DRIVE SOUND LIBRARY 15
- 4096 SOUNDS 15
- SOUND POOL 15
- 128 SOUNDS 15
- ABOUT THE TRACK TYPES 16
- THE USER INTERFACE 17
- QUICK SCROLLING 18
- COPY, CLEAR AND PASTE 18
- THE NAMING MENU 18
- QUICK START 19
- PROJECTS 20
- KITS AND SOUNDS 22
- +63 to the OSC1 PITCH 25
- OSC1 PITCH parameter 25
- POLYPHONY 26
- VOICE STEALING 29
- SOUND MENU 30
- PLAYING A SOUND 34
- EDITING A SOUND 34
- EDITING THE FX AND CV TRACKS 35
- TRACK MUTING 35
- THE SEQUENCER 36
- PATTERN MODES 37
- EDITING APATTERN 37
- TRACK MENU 39
- PATTERN MENU 39
- ARPEGGIATOR 40
- NOTE MENU 41
- CLICK TRACK 43
- SCALE MENU 43
- SEQUENCER FEATURES 45
- CHAINS AND SONGS 50
- GLOBAL MENU 53
- SEQUENCER CONFIG 54
- MIDI CONFIG 54
- CV CONFIG 60
- SYSEX DUMP 62
- OS UPGRADE 64
- FORMAT +DRIVE 65
- EARLY STARTUP MENU 66
- OSCILLATORS 67
- ENVELOPES 70
- SETUP EXAMPLES 71
- MAIN OUT TO P.A 73
- ANALOG FOUR AS A FILTER BANK 74
- AUDIO OUT 76
- REVERB EQ VOLUME GAIN 78
- TECHNICAL INFORMATION 80
- CONTACT INFORMATION 81
- OSCILLATOR 1 83
- OSCILLATOR 2 84
- AMPLITUDE 86
- EXTERNAL IN 89
- WIDESHIFT CHORUS 90
- SATURATOR DELAY 91
- SUPERVOID REVERB 92
- CV (GROUNDED) 95
- CV (PITCH V/OCT) 95
- CV (PITCH HZ/V) 96
- CV (VALUE LIN) 96
- CV (TRIG) 97
- CV (GATE) 97
- CV (CLOCK) 98
- CV ENVELOPES 99
- Appendix D: MIDI 101
- D-2 Appendix D: MIDI 102
- SYNTH TRACK PARAMETERS 102
- Appendix D: MIDI D-3 103
- NOISE CC 103
- OSC 2 NRPN 103
- OSC 2 CC 103
- D-4 Appendix D: MIDI 104
- FILTERS CC 105
- AMP NRPN 105
- Appendix D: MIDI D-5 105
- D-6 Appendix D: MIDI 106
- Appendix D: MIDI D-7 107
- LFO1 NRPN 107
- D-8 Appendix D: MIDI 108
- FX TRACK PARAMETERS 109
- D-10 Appendix D: MIDI 110
- CV TRACK PARAMETERS 111
- D-12 Appendix D: MIDI 112
- Appendix D: MIDI D-13 113
- D-14 Appendix D: MIDI 114
- SYNTH TRACKS 1-4 115
- FX TRACK 115
- CV TRACK 115
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